This clock encompasses one of the most dramatic design changes in the English / American clock repertoire. Not only is there dramatic lyre form, almost like a cello, but a magnificently figured block with exuberant shell above. As the midsection is recessed from the base, this clock exhibits a very slender stylized form. We feel this is an important clock, as the interpretation of this form is unique.

We know of two others, one with
a maker’s name “David Greig, Perth”,
who is listed in Britton’s Clock Directory,
during the years 1810-1831. We feel this clock
is a masterpiece of design and as few are known,
it is relatively unrecognized, as belonging
to a small but significant grouping of this
form. Over time, the form will be recognized
as a singular and dramatic expression of the
Lyre form…and the only one we know of in
the tall case category.

Interestingly, Wallace Nutting
felt this was an American clock, and it is illustrated
in his book, item 3330, and also in the Palmer
book, see
below. They felt this clock was American,
as the secondary wood, American pine, led them
to this conclusion. However, during this time
period, much American wood was shipped to the
British Isles, which was wood-starved at that
time.

This is a rather small-scale clock with fabulous
mahogany throughout.
 The exuberantly carved
shell and blocked door is the equal of any Newport
Block and Shell casepiece. It is in a fine state
of preservation.

Height:
87 1/2 in. Width:18 3/4 in. Depth:10 in.